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“The Commons”—what we hold in common, is Personal and intellectual
interaction brings together creative minds from around the
world, then provides formal and informal opportunities for them
to interact. The specific results can never be anticipated, but
have always proved remarkable -- from literary collaborations,
to translation projects, to the inspiration for new work, to the
sharpening of vision and the broadening of understanding, and
the solidifying of productive lifelong friendships. Those
familiar with Plato and Socrates will agree there is no more
appropriate venue than Greece for renewing the tradition of
robust communal dialogue out of which grew one of the world’s
great intellectual traditions. “The New Symposium,” took place
in Paros in May 2006 and was conceived and organized by The
International Writing Program of the University of Iowa in
collaboration with the Fulbright Foundation in Greece.
Contributors to the New Symposium discussions and participating in
the film are
Diana Fritz Cates USA
Lewis Hyde, USA
Ruth Margraff, USA
Barry Sanders, USA
Scott Russell Sanders, USA
Giselle Beiguelman Brazil
Gregory Norminton, England
Stratis Haviaras Greece
Alexis Stamatis, Greece
Anastassis Vistonitis, Greece
Rustom Bharucha, India
Ayu Utami, Indonesia
Amir Or, Israel
Yvonne Owour, Kenya
Magda Cârneci, Romania
Ameena Hussein, Sri Lanka
It was a challenge for me to participate in this especially fertile
discourse among poets and writers from all over the world, and
to aim at creating a visual essay based upon their views on what
we hold in common. In other words, to attempt not merely a
catalogue, but a use, as well, of the bricks and mortar of
cinematography on a pentagram of dialogue, and an axle of visual
coherence and acoustic counterpoint. The theme, What we Hold in
Common, inevitably compelled me to set out on a quest to augment
the emotion caused by every relevant thought. To our advantage
was springtime and the utterly enchanting vistas of Paros with
seasonal fragrances rousing the senses, and an orgy of light
guiding us on a tour of the pleasures of the mind (let alone
those of the flesh), which, in our turn, we offer in the form of
this documentary.
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